What else, really, are pop groups for? WELL, WHAT did you expect for nothing? Only kidding.

But then, with the entire planet having downloaded ‘Heathen Chemistry’ free of charge already it still seems slightly bizarre that the unintentioned cyber-launch for ‘ fifth album has been received with quite so much schadenfreude. This is a band, remember, harbouring four well-known obsessives valiantly trying to, well, get back to where they once belonged. What did anyone expect,? All manner of inflammable devices get called upon in the process. We see the re-activation of the ‘terrace’ ballad (x2), screaming Knebworth-in-space guitars and a further wheelbarrow load of, yup, antique hooks (‘Revolver’ period).

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En route Liam becomes a ‘proper’ songwriter, Gem and Andy Bell finally lose that haunted look and we get at least four classic tunes you’ll be involuntarily singing along to at closing time before the summer’s out. What more could we ask? ‘The Hindu Times’ we know about. Daft title aside (a tradition stretching back to ‘Digsy’s Dinner’) we get droning raga-guitars, the occasional screech of feedback and the most garbled lyrics since ‘Magic Pie’ (“I do believe I got flair/ I got speed and I walk on air”). It’s the best single since ‘D’you Know What I Mean?’ and the most blatant mission statement from Oasis Mk II.

Tellingly, it’s also the only time a drug-free Noel attempts the coke-crazed rush of former, er, glories. It’s Gem’s ‘Hung In A Bad Place’ which actually manages it. A paranoid farewell to a former life (“Can sleep when I wanna/ But wonder what I’m gonna dream now?”), it takes The Stooges ‘No Fun’, squeezes it till its eyes water and then throws in a killer piano breakdown.

Results 1 - 48 of 119 - Oasis Heathen Chemistry Rare Promo Copy CD 2002 Never Been Used. This is for the ultimate collector! This has not been used in any.

Liam, clearly impressed, weighs in with his most wired vocal for years. By the time you’ve ransacked the fridge for booze and invited Bobby Gillespie round to celebrate, Noel is halfway through first of his two uber-ballads ‘Little By Little’. A singalong to rival ‘Stand By Me’ (Noel filches the vocals for himself), it builds to a point where it all but turns into ‘s ‘Just Don’t Mean A Thing’. But it’s with ‘Stop Crying Your Heart Out’ that you really start rolling out the red carpet. A return to the long lost humanism of of ‘Don’t Look Back In Anger’, it’s a reminder of Noel’s uncanny knack of cheering up his audience just when they need it most.

“All of us stars / We’re fading away/Just try not to worry/ You’ll see them some day” croons Liam whilst orchestra’s fizz in the background. For five minutes, you’re back in 1995. Which of course is the problem: can’t help but sound like a group battling to free themselves from being last century’s thing. His ‘Songbird’ is a beautiful, clear pool of sound propelled by a vocal so tender even lines like “Talk of better days that are yet to come/ Never felt this love from anyone” sound great, whilst a final ‘Born On A Different Cloud’ and ‘Better Man’-drawing heavily from John Lennon’s desolate blues ‘I Don’t Want To Be A Soldier’ and a warmed-up ‘Cold Turkey’ respectively send ‘Heathen Chemistry’ into orbit. ‘Born’ is a hollow, hungover, Ian Brown on mogadons space-chant, whilst ‘Better Man’ sees the album out in a fuzz of shredded guitars.

The official party line goes a little like this: sure, was bloated, but the boys were indulging in their phenomenal success at the time and, yeah, Standing on the Shoulder of Giants was a little uneven, but that was essentially due to overcompensation on the corrective steering, plus the defection of two founding members, so 2002's -- the band's fifth album -- is where returns to form and starts acting like a band again (hell, not only does contribute three songs, but so does bassist Gem Archer, while throws in a minute-long instrumental). If only it were that simple.

First of all, this, like Giants, is produced by and mixed by, so it should come as no surprise that it sounds like that album, only without the slight electronica flourishes, since the band is determined to make this their rock & roll comeback. But that -mixed, -helmed production keeps from really rocking -- it's big and diffuse, sounding enormous and vaguely psychedelic, without much grit or kick. When it's matched with the right song -- such as the swirling, majestically nonsensical opener 'The Hindu Times' -- it can be an addictive sound, but often it's mismatched with the songs; the sound expands the songs too much and they lose focus and dynamic, whether it's the muted 'Digsy's Dinner' stomp of 'Force of Nature' (a solo tune unearthed from a 2000 soundtrack for a British-only film), epic ballads ('Little by Little'), stabs at sweeping psychedelia ('Born on a Different Cloud'), or rockers (including -meets- closer 'Better Man').